Chrome & Dust: Stories on the Move
Chrome & Dust presents public transport as cultural memory. Through watercolour, Christian Okwananke captures the overlooked poetry of Lagos commute, danfo, keke, korope, and molue life.
The Manuscript
The Manuscript is a drawing exhibition rooted in experimentation, materiality, and imagination.
The project approaches drawing as a finished language rather than a preparatory act, creating space for artists to engage line, mark, material, and gesture as complete forms of thought.
Safe Haven
Safe Haven is an exploration of refuge, solace, and the human quest for security. The series invites viewers to contemplate the fragility and strength of our inner worlds.
Each piece whispers of shelter and the unyielding human spirit, navigating identity exploration, comfort, compassion, vulnerability, resilience, and the transformative power of self-love.
Olanrewaju’s gallon-to-face figure, reimagined as “the kegs,” becomes a vessel for stories, emotions, and transformation, inviting viewers to find meaning in the unexpected.
Tomorrow’s Past
Tomorrow’s Past navigates perception, wisdom, freedom, introspection, and the cyclical nature of human experience.
Individuality and Authenticity
Individuality and Authenticity explores self-expression, diversity, inclusivity, and the courage to resist predefined molds.
Jacked Kinesics
Jacked Kinesics portrays emotional gestural messages through muscular male figures, using anatomy, colour, and line as a visual language.
The exhibition asks viewers to look beyond physical appearance and consider the inner information carried by the body.
The Inner Form
The Inner Form considers drawing as narrative, movement, and a primary medium for highly finished works.
Under the umbrella of Edosa Ogiugo, the exhibition brings together artists exploring drawing as direct mark-making and inner form.
Good Night and Good Luck
Good Night and Good Luck recalls Edward Murrow’s phrase in a historical moment where alienation and freedom of expression once again became subjects of debate.
The exhibition asks how the image can emerge as a tool for critical action rather than as a representational device used to reaffirm given structures.
Freudian Tones
Freudian Tones is a highly romanticised expression of desire, restraint, and the female figure. Segun Adejumo uses drawing and painting to examine emotion, beauty, and the affairs of life through a contemporary lens.